If you’re not new to Media Composer, then you’ll really like the new improvements in 8.5. Plus, knowing multiple editing platforms will expand your knowledge and knowhow, increasing your value and the productions you create. Many choose what they know because sometimes learning new programs can be difficult, but choosing the right tool for the job can save money and time. But just because a program you’re used to using seems easier, it's not necessarily a better program than the others it’s just different. AVID MEDIA COMPOSER FIRST REVIEW PROBoth Media Composer and Final Cut Pro X get this treatment because they are different than most programs currently. There is a big misconception out there when it comes to editing software: If it’s foreign to the user or causes the user to struggle, it must not be good. You want to choose what fits your work and editing style. It’s easy to get caught up thinking that the product everyone is talking about or using is right for you, but it’s always best to research what’s out there and assess your own needs. It’s a favorite amongst seasoned film editors and production houses because of its workflow capabilities across large teams, but the program still has shadows of its rigid past. Now, however, with version 8.5, it’s far more flexible, with easier media import and support. Sure it was rigid, but it forced a better understanding of codecs, resolution and containers. Media Composer was a great editor to learn on because it forced the user to know what what media they were using and required them to tell the program, not the other way around. Brands like Adobe and Apple make the marketplace diverse and offer strong challengers for AVID. Now though, the competition is far more stiff.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |